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GIANFRANCO FERRE
Gianfranco Ferre was born in Legnano on August 15, 1944 into an industrial family. After high school he enrolled at the Milan Polytechnic Institute, where he earned a degree in architecture in 1969. But an ever growing interest in the fashion world led him to create a collection of jewelry and accessories which he envisioned as a cross between objects of design and props for living.
This early powerful work sparked the attention and interest of some prominent Italian fashion journalists. Thus encouraged, he began designing clothes collections, working for some important manufacturers in the sector. For one in particular he traveled to India to conduct extensive textile research. And there Ferre grasped the oriental understanding of simplicity in line and color, learned the notion that purity is the goal of all good design. Once back in Italy, in 1974 Ferre designed his first women's Ready-to-Wear collection, Baila, assigned to him by Franco Mattioli, the Bolognese entrepreneur who becomes soon his business partner. Four years later, in October 1978, he established with Franco Mattioli the Gianfranco Ferre company and debuted with his own Gianfranco Ferre women's collection.
In January 1982 he presented the first Gianfranco Ferre men's collection, distributing it worldwide in parallel to his women's Ready-to-Wear. During this period Ferre also introduced lines of accessories - from leather goods to ties, from lingerie to shoes - which found considerable favor with the public.
In March 1984 he launched the Gianfranco Ferre fragrance for women (produced and distributed by Diana De Silva Cosmetiques), later a complete bath line; then in September 1986 The Gianfranco Ferre fragrance and bath line for men. His second fragrance for women, Ferre by Ferre, came out in 1991. In each case, thanks to the novel scent and elegant packaging, Ferre's fragrances proved immediate hits.
In July 1986, another key step: a presentation in Rome of the first Gianfranco Ferre Haute Couture collection. And relative acclaim on the part of the international press.
In 1987, introduction of the Studio 000.1 by Ferre men's and women's lines (in partnership with the Marzotto Group) and also of the Gianfranco Ferre Fourrures collection. Then in 1989, the Forma 0 by GFF line (produced and distributed by Marzotto). In May of the same year Ferre became Artistic Director of the House of Christian Dior, entrusted with the creation of the haute couture and Ready-to-Wear collections. A stunning success which won reconfirmation in March 1993 until 1996.
In 1987, introduction of the Studio 000.1 by Ferre men's and women's lines (in partnership with the Marzotto Group) and also of the Gianfranco Ferre Fourrures collection. Then in 1989, the Forma 0 by GFF line (produced and distributed by Marzotto). In May of the same year Ferre became Artistic Director of the House of Christian Dior, entrusted with the creation of the haute couture and Ready-to-Wear collections. A stunning success which won reconfirmation in March 1993 until 1996.
In September 1995 Ferre launched the "Gieffeffe" fragrance for Men and Women. In October introduction of "Gieffeffe" Men's and Women's Lines (in partnership with Marzotto Group). In June 1996 the Gianfranco Ferre Jeans line for men and women was introduced (produced and distributed by ITJ-Ittierre).
In 1997, Gianfranco Ferre Studio: a project keying into an urge to respond all the more effectively to ever evolving contemporary reality through determinate clothes that today's and tomorrow's consumers can connect with on the spot. In partnership with Marzotto, this is a wide-ranging
project with clear objectives allowing utmost agility and innovation in defining the style, image and distribution strategy. During the same year Ferre also introduced GFF fragrance for men and women. In January 1998 he introduced "Gianfranco Ferre Sport" men's and women's collections.
Not content to rest on his considerable laurels, Gianfranco Ferre is always looking to the future: constant expansion of the designer label, exploration of new markets, a very rich series of lines - Gianfranco Ferre ready-to-wear and GFF, Gianfranco Ferre Jeans and Gianfranco Ferre Sport, Gianfranco Ferre Studio and Gianfranco Ferre Forma, Gianfranco Ferre for kids and teens - created to offer a wider range of shoppers the opportunity of experiencing those unrivaled Ferre clothing features: quality, unique styling and naturalness, in an effort to broaden the horizons of style...
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DOLCE&GABBANA
Domenico Dolce was born in Polizzi Generosa (Palermo) on the 13th of August 1958.
Stefano Gabbana was born in Milan on the 14th of November 1962.
They are always news. They are news because they have designed a style which is very precise and one which is "only theirs" although one, however, which changes its connotations with the speed of light. They are news because they are loved by the famous as: Madonna and Demi Moore, Nicole Kidman, Isabella Rossellini, Susan Sarandon, Tina Turner, Gwyneth Paltrow, Chiara Mastroianni, Whitney Houston, Asia Argento, Monica Bellucci and many others. Ranging from Hollywood to "urban glamour": two extremes, because they and their image are always at the extremes. The most important American buyers and the Italian and foreign press consider them to be contemporary symbols. They are still considered "very young" because they have a story behind them which has been lived so intensely, they have "lapped" remarkable goals with respect to their age, but - above all - they represent the new generation of Italian fashion and here, perhaps, they are also rather alone.
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SONIA RYKIEL
SONIA RYKIEL BIOGRAPHY
Sonia Rykiel, in May 1968, opens her first boutique, rue de Grenelle. The sweater is her symbol. She likes to put seams inside out, to take away the hem and the lining but if she wants she can put it all back.
She nourishes her creativity from her other passions, writing, designing, acting, gastronomy.
She loves life from day to day and family life.
BOUTIQUES
1962 : She creates her first maternity dresses and figure-hugging sweaters for
the boutique LAURA, 104 avenue du Général Leclerc, Paris 14ème.
1968: Founding of her company "SONIA RYKIEL c.d.m." and opening of her first boutique in Paris, on the left bank, in the heart of Saint-Germain-des-Prés.
1986: Opening of the boutique SONIA RYKIEL ENFANT, 4 rue de Grenelle, Paris 6ème.
1989: In December, opening of the boutique INSCRIPTION RYKIEL, 6 rue de Grenelle, Paris 6ème.
1990: Opening of the boutique SONIA RYKIEL, 175 boulevard Saint-Germain, Paris 6ème.
Opening of the first boutique RYKIEL HOMME, 3 rue Perronet, Paris 7ème.
1992: Opening of the boutique SONIA RYKIEL CHAUSSURES, 8 rue de Grenelle, Paris 6ème.
Opening of the boutique "image" RYKIEL HOMME, 194 boulevard Saint-Germain, Paris 7ème.
1996: Opening of the boutique SONIA RYKIEL in New York, 849 Madison Avenue, NY 10021.
BOOKS
1979: Publication of her first book "ET JE LA VOUDRAIS NUE…" by Editions Grasset.
1985: Publication of the book "RYKIEL" illustrating 20 years of creation, by Editions Herscher.
1988: Publication of the anniversary book "CELEBRATION", 20 years of fashion,
by Editions des femmes.
1989: Publication of the book "LA COLLECTION", by Editions Grasset.
1991: She illustrates the book "COLETTE ET LA MODE", published by Editions Plume/Calmann-Lévy.
1993: Publication of her fairy tales book for children "TATIANA, ACACIA",
illustrated by Charles Matton, by Editions Flammarion 4.
Publication of her book "COLLECTION TERMINEE COLLECTION INTERMINABLE"
by Editions Flammarion 4.
1996: Publication of her first novel "LES LEVRES ROUGES", by Editions Grasset
(published in Japan in June 2000 by Editions Kodan Sha).
1997: In the "Memory of Fashion" book series, publication of the book "SONIA RYKIEL"
by Editions Assouline. Texts by Patrick Mauriès.
1999: Publication of the book "PARIS SUR LES PAS DE SONIA RYKIEL" by Editions du Garde Temps (published in Japan in June 2000 by Editions Sheisha). BIOGRAPHY
PERFUME - COSMETICS
1978: Launching of her first perfume "7ème SENS".
1987: Creation of a cosmetics line "SONIA RYKIEL NIGHT AND DAY", distributed in Japan, in the boutique, 175 boulevard Saint-Germain, and in the department store "Les Galeries Lafayette" in Paris.
1993: Launching of her second perfume "LE PARFUM".
1997: In honour of her "sweater", she creates her third perfume, "Sonia Rykiel".
1999: Launching of her first perfume for men "RYKIEL HOMME".
2000: Launching of the perfume "RYKIEL ROSE" wich symbolic image is embodied
by Nathalie RYKIEL.
1987: An exhibition devoted to Sonia Rykiel in the department store "Les Galeries Lafayette",
"SONIA RYKIEL, 20 ans de mode ".
1993: She celebrates her 25 years of creation at the "Orangerie du Sénat". On this occasion,
the Minister of Culture decorates Sonia Rykiel with the investiture of "Officier de l’Ordre des Arts et des Lettres".
1996: On the occasion of the event "Janviers en Bourgogne", an exhibition is devoted to
Sonia Rykiel in Chalon-sur-Saône.
1997: In October, an exhibition on the theme of "I love, I hate" is devoted to her at the department store "Le Bon Marché".
In November, the Japanese department store "Seibu" shows the same exhibit in Tokyo.
1998: On the occasion of her 30th anniversary of fashion, Sonia Rykiel presents in March an impressive show at the Bibliothèque nationale de France.
The 21st November, for the first time in Berlin, Sonia Rykiel celebrates her 30th anniversary of fashion in an exceptional show.
1999: In January, launching of the new sportswear line "SONIA/SONIA RYKIEL".
DESIGN
1982 : She recreates the interior world of the Hôtel de Crillon, place de la Concorde in Paris.
1985 : Sonia Rykiel redecorates the Hôtel Lutétia, in Paris, recreating the luxury and charm of the 30’s.
1992 : Creation of the SONIA RYKIEL diary.
1995 : She creates with "LA FORGE DE LAGUIOLE" a SONIA RYKIEL Laguiole knife.
The "PIERRE GUILLOT ROSARIES" create the SONIA RYKIEL rose.
1996 : Creation of a SONIA RYKIEL tableware in porcelain called "Figurines".
1997 : Creation of a "Russian doll" candle with the company "POINT A LA LIGNE".
Creation of a stationary line in "Leopard" prints.
1998 : Sonia Rykiel, assisted by the architect Maxime d’Angeac, designed new rooms for the American Hospital of Paris.
In March, creation of the SONIA RYKIEL web site: http://www.soniarykiel.com
CINEMA - THEATRE - MUSIC
1994 : "PRET A PORTER" - Film by Robert Altman.
The French actress Anouk Aimée interprets the role of an international designer inspired
by Sonia Rykiel. Sonia Rykiel also plays her own part.
The release of the album "Paris" (BMG – Disques VOGUE) by Malcolm
McLaren in which Sonia Rykiel performs a duet: "My name is Malcolm McLaren. And You? Sonia Rykiel ".
1995 : The release of the album by Hugues Le Bars "Zinzin" (HLB Polisson – NOCTURNE) in which Sonia Rykiel performs "Un truc làqui claque".
1997 : She creates the costumes of the play "Amok" from the book by Stephan Zweig.
1998 : The release of the film "Riches, belles, etc…" by Bunny Schpoliansky in which Sonia Rykiel performs her first character role.
1999 : The release of the album "Chopin – Intime" (OPUS 111) in which Sonia Rykiel and Andrzej Seweryn read the correspondence between George Sand and Chopin.
Creation of the costumes for Marianne Denicourt in the play "La chambre bleue
adapted from "Reigen" by Arthur Schnitzler
HONOURS
1986 : The Fashion Group in New York pays homage to Sonia Rykiel for her contribution through her extraordinary creativity and professionalism towards the development of fashion all over the world and awards her with an Oscar.
1993 : The French Minister of Culture decorates Sonia Rykiel with the investiture of "Officier de l’Ordre des Arts et des Lettres".
1994 : She receives the Award for "Design Excellence" from Chicago Historical Society’s Costume Committee.
1996 : The French Minister of Culture honours her with the rank of "Officier de l’Ordre National de la Légion d’Honneur".
1998 : The French magazine "Madame Figaro" features a serie "The ten women who move the world" in which a chapter is dedicated to Sonia Rykiel.
SONIA RYKIEL IS ALSO :
Member of the Association of Women Writers
Member of the "Jury du Prix Saint-Germain-des-Prés"
Member of the "Jury de l’Affiche Française"
Member of the "Club des Croqueurs de Chocolat"
Member of the "Chevalier du Tastevin en Bourgogne"
"Honoris causa" Professor of the China Textile University
Honorary President of the International Festival of Chopin
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ALEXANDER MCQUEEN
London born and educated, dubbed 'enfant terrible' by the fashion press, Alexander McQueen has manipulated his own fashion career to become one of the youngest to achieve the title ' British Designer of the Year' in 1996 and again jointly in 1997 as well as the accomplished designer for the French Haute Couture house of Givenchy. Leaving school aged 16; he walked into Anderson and Shepherd, the Saville Row tailors - angry at the lack of apprentices in what was the dying leg of the fashion industry. Moving on to Gieves and Hawks, Saville Row, and the famous theatrical costumiers Angels and Bermans, Alexander has mastered 6 methods of pattern cutting from the melodramatic 16th Century to the razor sharpness of his latest collections. At only 20 years of age, Alexander read an article in The Sunday Times supplement about an intriguing Japanese designer Koji Tatsuno, who was constructing clothes from antique cloth. After a short meeting, Alexander was gainfully employed. This only left travel and a distinguished name to add to Alexander's curriculum vitae. With a list of designers on one hand and a ticket to Milan in the other, Alexander ventured to his first choice of designer Romeo Gigli, who was enthralled with Alexander 's extremity, and unique esoteric tailoring that few had mastered, and employed him immediately. Finally he returned to London to complete an M.A at St. Martins School of Art, where his final collection gained him extensive press coverage.
Alexander McQueen has now captured worldwide attention with his incredible shows. Unequalled in London, they have become the predominant reason why the city currently radiates energetic fashion.
'Untitled' '#13' 'The Overlook' and 'Eye' (also shown in New York) represent creative showcases that allowed Alexander McQueen to acquire an Italian manufacturing deal through his backers Onward Kashiyama. This has culminated in both the men's and women's collections retailing in the most prestigious outlets around the world.
In London: Browns, Joseph, Liberty's, Harvey Nichols and Harrods.
In New York : Neiman Marcus, Bergoff Goodman and Saks.
In Paris : Printemps and Collette
In Japan : Bus Stop and in Milan One.
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ANNA SUI
International designer Anna Sui's involvement in fashion began at an early age, with a devotion to dressing her dolls and her neighbor's toy soldiers for her own personal version of the Academy Awards. Sui eventually extended her fashion interest to include designing her own clothes and clipping fashion magazine pages to serve as inspirations. To this very day, she continues to refer to these "genius files".
After graduating from high school in Detroit, Michigan, Sui moved to New York City to attend Parsons School of Design. While at Parsons, Sui found a collaborator and close friend in Steven Meisel, today one of the world's top fashion photographers. Her early days as a stylist for Meisel's shoots included editorial for the Italian fashion magazine LEI.
After leaving Parsons, Sui worked at a variety of junior sportswear companies.
In 1980, Sui presented six original pieces at the Boutique Show and immediately received an order from Macy's, who featured one of her designs in a New York Times advertisement. That same year, Anna Sui launched her own business that operated out of her apartment throughout the 1980's.
In 1991, Anna Sui premiered her first runway show, featuring her signature "head-to-toe" look and prompting the New York Times to proclaim it a "pastiche of hip and haute styles." In that same year, Sui moved her business and showroom to its current location in the Garment District.
In 1992, Sui opened her own boutique at 113 Greene Street in the SoHo district of New York. The store reflects Sui's distinct taste: pairing flea market furniture and whimsical Dolly Head mannequins in a room with purple walls and red floors.
In 1993, Sui won the prestegious CFDA Perry Ellis Award for New Fashion Talent.
The first of three Anna Sui freestanding boutiques in Asia opened in May 1997 in Tokyo. The second opened in Osaka in the Fall of that same year. Another Osaka venue opened in 2000. The stores mark the continued worldwide expansion of the Anna Sui brand and lifestyle. Isetan Company Limited is the main licensee for the Japanese distribution of the women's collection and Mammina, a subsidiary of Isetan, is the distributor to department and specialty stores there.
In 1997, Anna Sui Shoes premiered on her runway for Fall 1997. Manufactured by Ballin in Venice, Italy, the shoe collection is comprised of both day and evening styles, and include velvet, silk, patent leather, snake and lizard skin, shearling and suede.
Anna Sui opened her Los Angeles boutique in 1999 in Sunset Plaza, in West Hollywood.
In 1999, Sui launched her signature fragrance and cosmetic line. In October 1997, Anna Sui signed a fragrance licensing deal with Wella AG of Germany to develop a signature fragrance. In a three-sided arrangement, Wella shares the Anna Sui beauty business with Japanese cosmetics maker Albion, which holds the Anna Sui color cosmetics and skin care license. Under the agreement , Wella will produce and market Anna Sui fragrances while Albion introduces the Anna Sui color collection for Japan. Wella will sell the fragrances to Albion, which will distribute them inside Japan, while Albion will sell the color cosmetics to Wella for distribution outside of Japan.
For Fall 2000, Sui Dreams, the second Anna Sui fragrance launched worldwide.
Called a designer that "never panders" by The New York Times, Anna Sui continues to design and manufacture her signature Anna Sui Collection in her New York City headquarters. Her runway shows continue to set trends and inspire designers everywhere. Sui's signature wit and original designs draw legions of devotees to her pieces, including clients Patricia Arquette, Christina Ricci, Cher, Naomi Campbell, Sofia Coppola, Courtney Love of Hole and James Iha of Smashing Pumpkins.
CLOTHING COLLECTIONS
ANNA SUI COLLECTION FOR MEN AND WOMEN
Signature line introduced in 1980.
Produced in the Anna Sui design studio in New York City
Anna Sui signature collection is known for its high fashion edge with a vintage sensibility
Retail price range; jacket - ; dress -
Anna Sui collection is currently sold in approximately 200 retail outlets in the United States, Europe, and the Far East
ACCESSORIES COLLECTIONS
ANNA SUI SHOES FOR WOMEN
Debut Fall 1997
Licensing agreement with Italian based company Ballin to manufacture the Anna Sui women's shoe collection
The Anna Sui women's shoe collection comprises approximately 30 styles. A limited collection of corresponding handbags and purses comprises approximately 8 styles.
Retail price range -
ANNA SUI SIGNATURE COSMETICS AND FRAGRANCE COLLECTIONS
ANNA SUI SIGNATURE COSMETICS AND FRAGRANCE COLLECTIONS
Three sided licensing agreement with Wella AG to manufacture fragrance and Albion to manufacture cosmetics.
Color collection includes foundation to lip, eye and nail products. Anna Sui fragrance collection includes perfume, eau de toilette and bath products.
Sui Dreams, the second fragrance from Anna Sui launches Fall 2000.
ANNA SUI REVIEWS
New York Times on Anna Sui's Fall 2000 collection
"Ms. Sui seemed to transform herself from a club habitué who always knew what was happening below 14th Street to a mature designer whose inspirations might be a Ken Russell film or a rococo palace… The upshot was a sophisticated look that relied not on obvious symbols of glamour, like pearls and trailing boas, but on simple modern ideals as lightness and comfort."
WWD on Anna Sui's Spring '99 collection
"Anna Sui is a practiced hand at mixing antiquated romance and modern love… Her meld of 'rococo and gypsy' was so fresh it evoked a 'girl who's just fallen in the river and gotten back out,' just as Sui intended."
WWD on Anna Sui's Spring '98 collection
"Three cheers for Anna Sui, who hung 10 with her fabulous spring collection...In one of her best collections in seasons, Anna Sui broke the boredom of fashion week with a terrific show."
The International Herald Tribune on the Spring '98 collection
"Sui's style is rooted in the 1970's, with references to flower power hats, tiny Liberty floral prints, and to the ethnic trail. But she made it all seem fresh and modern... The collection had a sunny spirit that made the downbeat, downtown collections on other runways seem like last year's trends."
WWD on Anna Sui's Fall '97 collection
"...(Sui's) clothes have never been about wallflowers. Instead, she loves a kind of overt, hip fashion that manages to be both saucy and sweet, and she has a knack for combining the familiar and the frivolous in a way that makes perfect sense."
The New York Times on the Spring '97 Anna Sui collection
"Two forces are always at work in fashion: innocence and its brazen opposite. But what is amazing about Miuccia Prada and Anna Sui, fashion's most conniving designing women, is how they manage always to work both notions into their shows."
WWD on Anna Sui
"Anna Sui is the sorceress of New York fashion - she definitely has the power to enchant."
The New York Times on Anna Sui's Fall '96 collection
"It is Ms. Sui's method of research, paired with the madness of her creativity, that makes her shows more than inspirational. They are educational, too."
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CHRISTIAN LACROIX
Trinquetaille, and above all, meant my father's family. My grandmother and the wide-brimmed cloth hat that she wore tied under her chin in summer, and the infinite variety of different shades of black that she used to wear -" flea " black, " bull " black , midnight black, ink black - relieved only by a frugal scattering of stitching or pattern in white… My father and his taste for elegance. At his tailor's, the walls were decorated all round with a frieze painted by Léo Lélée, showing the history of the suit in sufficient detail to set me daydreaming while my father tried on tweed jackets, suede waistcoats and checked shirts with English collars. Only one women, distant and mysterious, seemed to take pleasure in flouting this grey - white - black - beige tradition. There can be no doubt that it was the influence of her scarlet suits, her stiletto heels, her panther toques and collars, her make-up in shades of bronze, her enormous earrings and her crisp, short hairstyles that made me understand what fashion really was: an elegance that make itself noticed.
My idea of England - and I imagine it must be the same for most French people - has distant roots going back to my schooldays. There was, in about 1960, a teacher who came from London, who always wore an assortment of tweeds - which I have liked ever since - and who sported a peculiarly English haircut, shaved high up into the nape of the neck and with a little quiff left on top.I imagined he must have come from a far-off land where time seemed to have stood still, with something vaguely nine- teenth century about it. It's never possible to enumerate all the reasons for a particular fascination, but I can at least piece together a few fragments of the puzzle. I have memories of long ago, in black and white, of afternoons spent in front of the television set watching adaptations of Dickens with their images of a gloomy, slightly medieval city and their evocation of a society peopled by eccentrics or lost children. To this were added frenetic readings of Conan Doyle and Agatha Christie. There was also the world of Hammer horror films, of manor houses, churchyards and forests where monsters lurked or carriages with drawn blinds hurtled through the driving rain. The colours of these images were always in a very particularly range of dark browns and greens, with costumes that always looked too new... I remember too Hitchcock's early films, set in England... I made my first journey to London around 1966-67 and came with my head full of these fairytale images. I was not disappointed: I had the impression that I was actually entering the world of the films I loved so much. In fact the reality was even better than fiction, for this was an England that was still much more distinctively "English", more singular and inward-looking than it is now. Women still wore flowery hats, thick stockings and good sturdy shoes that were supposed to be comfortable. The trains still had patterned carpets and wooden surfaces; some of the men still wore bowler hats. And I gazed in wonder at the little suburban villas with their gaily painted front doors in shades of red and green.
i left home and came to Paris in 1971 to write a thesis on "Costume in 17th Century Painting", prepare the competitive examination for Museum Curators and discover the city of light.
One day, at a friend's tea for provincial students, someone rang at the door and I saw a pale, redheaded young woman with a very lovely voice walk in. She was wearing an old fur over a T-shirt with black pearls and white shoes in the month of November. I thought she looked charming and funny. The young woman was Françoise and since that day we have never been apart. It's wise to accept invitations to tea with mere acquaintances, you never know what might happen. She was the one who flung open the doors to my creative fulfillment. Encounters with designers, with Jean-Jacques Picart, who had a press office, with Guy Paulin and Hermès introduced me into a world that has since become mine too. It was an incredible time, everyone seemed to be floating on a euphoric wave of more or less crazy inventions and improvisations. These were the famous 1980s I started to work in Couture Fashion in 1981, when I entered the house of Patou, an experience I found very exciting because it represented what has remained the basis of my work : history and revolution, historical and modern, past and future. It was during the last collection at Patou that we decided to create the Christian Lacroix Fashion House.
Christian Lacroix.
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DONNA KARAN
Donna Karan International is one of the world's leading fashion design houses. Founded in 1984 on the talents of Ms. Donna Karan, a prominent fashion designer, the Company's initial focus was the Donna Karan New York® collection of women's designer apparel and accessories. The Company has grown from offering a women's collection based on "seven easy pieces" to creating one of the world's premier design houses. The Company designs, contracts for the manufacture of, markets, retails and distributes collections of men's and women's clothing, sportswear, accessories and shoes under the DONNA KARAN NEW YORK®, DKNY®, DKNY JEANS™ and DKNY ACTIVE™ brand names. The Company also selectively has granted licenses for the manufacture and distribution of certain other products under its brand names, including beauty and beauty-related products, jeanswear, activewear, hosiery, intimate apparel, eyewear, and children's apparel.
The strategy of Donna Karan International is to create a balanced and focused company through the right combination of wholesale, licensing and retail. The Company's goals are to continue to leverage its strong brand name and image by expanding its current product offerings and to increase its presence in domestic and international markets. To preserve its exclusive image and appeal, the Company sells its products through better department stores, large specialty stores and boutiques, as well as full-price free-standing retail stores.
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ELSPETH GIBSON
With its signature style of beautiful feminine simplicity, Elspeth Gibson London has taken the fashion world by storm. The label created by Elspeth Gibson has enjoyed phenomenal success, and ever since her first catwalk show, Elspeth has been hailed as one of the UK's new leading designers.
The 34 year old designer graduated from Nottingham College of Design in 1984, embarked on her career at Zandra Rhodes, then moved to work with leading high street labels Top Shop and Miss Selfridge before becoming head designer at Monix. Elspeth then set up her own eponymous label in 1995.
With regular editorial coverage in British Vogue and other high profile national and international publications, together with support of top buyers in the world, Elspeth Gibson London has now become one of our most sought after British designers.
Elspeth believes that fashion should flatter the female form and this philosophy is evident throughout her collections. Evening wear is subtle and luxurious. Simple shapes and clever choices of fabric create sophisticated silhouettes that transcend decades. Day wear is fun and flattering, contemporary styles compliment the modern woman's wardrobe.
September 1998 saw the opening of the first Elspeth Gibson boutique in London's Pont Street where Elspeth has created a unique environment for her customers. Elspeth Gibson London is also stocked in the UK at prestigious stores including Harvey Nichols, Harrods, and Browns. International stockists include Barneys and Bergdorff Goodman in the USA and Barneys and Isetan in the Far East.
October 1999 saw the introduction of a range of luxury bath products to compliment the main line collection.
Elspeth has designed a collection for girls aged 3-8 years for high street retailer Debenhams. The collection named Sweet Pea has been very positively received.
Elspeth Gibson is worn by some of the most glamorous and famous women in the world including Cate Blanchett, Madonna, Liz Hurley, Nicole Kidman, Uma Thurman and Angelica Huston.
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ESCADA
Aschheim/Munich, November, 17 2000
Richard SIMONIN, previously Chairman of the Supervisory Board of ESCADA BEAUTE GROUP, has been appointed on Friday, November 17th President of the Board of Management of the Company.
In this position he is replacing Claude PALATIN who will be appointed in the very next weeks for specific development missions at ESCADA´s international level.
After joining ESCADA BEAUTE in 1991, Claude PALATIN has been developing the company until today. He has in particular successfully implemented the concept of « seasonal fragrance » and launched the new fragrance ESCADA SENTIMENT.
Richard SIMONIN will keep his position as member of the Board of Management of the mother-company ESCADA Munich in charge of the world-wide development of Accessories, Licenses and the ESCADA Brand.
Since 1984, Richard SIMONIN has been dedicating himself to the luxury and ready-to-wear business. He joined KENZO as Sales and Marketing Manager in 1984 before becoming General Manager of the Company in 1986 and President & CEO in 1993. At the same time he becomes President of GIVENCHY COUTURE (1992-1996). He leaves the LVMH Group in 1997 and is appointed President & CEO of LA REDOUTE. He joined the ESCADA Group in October 1999.
Richard SIMONIN is 48 years old and graduated from the EDHEC French business school.
ESCADA AG
The Board of Management
The ESCADA Group covers the following business areas: ESCADA Fashion, ESCADA Accessories and Licences, ESCADA Perfumes and Cosmetics, LAUREL, PRIMERA and KEMPER/CERRUTI.
The world's largest collection of luxury women's fashion is sold under the name of ESCADA Fashion, achieving sales worth over DM 900 million in over 50 countries. An integrated distribution network serving 365 ESCADA shops worldwide ensures high-quality presentation of the ESCADA brand and create a high degree of customer loyalty.
In the 1999/2000 financial year, group sales reached around DM 1.6 billion. The ESCADA brand contributed round DM 1.1 billion of this, and also has the highest potential for growth - mainly in the areas of fashion for special occasions, accessories, licences and perfumes, which are consistently being expanded.
There are higher than average growth opportunities in the regions of North America (27% share of sales) and Asia (13% share of sales).
The ESCADA Group is managed by a team of top managers with international experience, and employs a staff of around 4,200 throughout the world.
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VIVIENNE WESTWOOD
The beatles broke up in 1970, thereby finally sounding the death-knell for basin haircuts,the beatnik look and avengers ghic.Flower power and hippies were the look of the early 1970s,but things had gone further in britain,where the first punk rockers had already started to shamble along london's king road: bands like the sex pistols,the clash,and the exploited provided the music for the revolutionary street style which aimed to create antifashion and come as a slap in the face to good taste. Traditional features of feminine seduction such as netting,animal prints,and black leather were torn,cut,and adorned with safety pins.vinly,fetish and bondage looks saw the light of day for the first time,and women discovered a new sense of freedom.Beyond the reach of society's rules and dress codes,females punks developed and redefined their roles,a new aesthetic,and a language freedom of inhibitions.Bondage pants were complemented by skintight t-shirts decorated with zip fasteners above each breast and erotic texts-such as"his hand cupped her breast as he pressed her againts the wall...":these were outrageous best sellers at sex,the west end boutique opened by vivienne westwood in 1970. Designer vivienne westwood was born in 1941 in glossop,debyshire,and had a much greater influence on fashion than most people would suspect.john fairchild,media guru and publisher of the american womenswear daily,counts her among the six most creative talents of the century.Part of this must surely be her visionary ability to jettison a trend before it has become banal.
in the late 1970s, vivienne westwood drop the safety pins and began to work on the archology of historic silhouettes.whether fin-de-siecle grandeur or rococo decadence, westwood continues to combine taraditional methods with modernity and undisguised irony.Each year inventions like the collapsible crinoline,known as a mini-crini,the bottom cage,the fetish paltform shoe,and the twin set and pearls for men,have caused fashion shock waves-only to reappear in a bowdlerized form in the collections of other designers.
An easy relationship to sex seems to run in the family:joseph corre,westwood's son by musician malcolm mclaren,owns the hottest lingerie shop in london:agent provocateur,in soho's broadwick street.She is constantly threatened with financial ruin,but her creative reputation has gained her many honors,among them a guest professorship at vienna's school of applied arts."the queen really did inspire me for a while" is how she explains her choice of an imperial orb as company logo.
Westwood was awarded the OBE in 1992.She attended the tea party at buckingham palace without a slip,like sharon stone in basic instinct.The queen,head of a conservative fashion community,was "not amused".
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JOOP!
Wolfgang who?
He is one of Germany's most recognized designers, and one with a unique signature. His last name is Joop, a Dutch first name. He started to employ it as his trademark back in 1979. Instead of using his first name, he simply added an exclamation point, which has come to stand for innovation and creative energy. The brand that now bears his name comprises a universe of products for men, women and children with a turnover of DM 550 million (280 million Euro) in 1998. Today JOOP! stands for contemporary attitude, eroticism and provocative style and lives from a wealth of ideas of its charismatic creator Wolfgang Joop.
What's his story?
Wolfgang Joop was born in Potsdam, Germany, on the 18th of November 1944, close to the grounds of Sanssouci Palace. He began his fashion career when he and his former wife Karin entered a fashion contest in 1970 and managed to win the top three prizes. Prior to that Joop studied advertising psychology and art education. He worked as a free-lance artist and held a professorship at the University of Fine Arts in Berlin.
Personal life
Wolfgang Joop has two daughters, Jette born in 1968 and Florentine born five years later in 1973. He maintains residences in Monte Carlo, Hamburg and New York. He recently acquired a villa in Potsdam, his childhood home-town, which is currently being renovated and modernized by Prof. Dr. Joseph Kleihues.
Creative licencees
The JOOP! GmbH is a solely licensed company. The first JOOP! fragrance as well as the first JOOP! men's and women's collection were launched in 1987. In 1988 the JOOP! jeans made its market debut. Over the following years the product line was consistently enlarged and the brand JOOP! expanded with eyewear, shoes, accessories, leatherwear, body- and knitwear, both for men and women. The JOOP! fashion world was finally rounded off with the introduction of the licences for hosiery, kids, time, socks and jewellery. Wolfgang Joop presented his first home collection at the 1999 Frankfurter Herbstmesse. All partners collaborate closely with the designer Wolfgang Joop in order to ensure the high quality for which JOOP! products are known. The JOOP! design studio as well as the management are located in Hamburg, Germany.
Talent scout
Wolfgang Joop is unceasingly in touch with international artists and photographers. His exchange and involvement with the latter, his curious outlook and the changing spirit of time are his sources of inspiration. JOOP! advertising campaigns reflect this unique and innovative signature. Wolfgang Joop colaborates closely with emerging photographers like Mario Sorrenti, Michelangelo di Battista, Dah Len, Inez van Lamsweerde, Horst Diekgerdes and Sean Ellis. Likewise he has always worked with the most compelling models - Stella Tennant, Donovan Leitch, Kristen McManemy, Tyson Beckford, Nadja Auermann, Amber Valetta, Kirsten Owen, Alek Wek, Markus Schenkenberg, Claudia Schiffer and Shalom Harlow. These are all faces that reflect his creative mood at one time or another.
Beyond fashion
Wolfgang Joop is not only an designer but also a brilliant illustrator. His drawings and drafts have been featured in numerous exhibitions and are part of several museums' permanent collections. Wolfgang Joop himself collects contemporary art and sculptures. All of his homes contain eclectic pieces from contemporary artists such as Tamara de Lempika, Alexander Noll, Jeff Koons, Kenny Hunter, Gerhard Richter and Sam Tylor-Woods as well as important paintings and furniture from the 17th, 18th and 20th centuries. Frequently he is called upon to create not only fashion but also news. He writes editorial stories for magazines like Der Spiegel, Stern and Züricher Weltwoche. Wolfgang Joop is personally involved in two charitable organizations: Dunkelziffer e.V., which helps sexually abused children and Hamburg Leuchtfeuer, a charity devoted to support HIV sufferers.
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